Veteran singer / songwriter Richard Thompson casts beautiful spells with music, weaving gorgeous melodies around story telling lyrics, conjuring vivid imagery as he deftly plucks the six string.

The Notting Hill born maestro is recognised as one of the world’s greatest talents, having received multiple Grammy nominations, with such esteemed artists as R.E.M., Elvis Costello and David Byrne all citing Thompson as a major influence.

His many accolades include an Ivor Novello Award, and his song “1952 Vincent Black Lightening” was named in Time Magazines list of All Time 100 Songs.

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Artist Bio

Songwriter Richard Thompson has an incredibly forty years of experience under his belt and is widely regarded as one of the world’s greatest living guitarists - listed by Rolling Stone within the Top 20 guitar players of all times.

Thompson’s folk rock has also seen him win various Lifetime Achievement Awards for Song Writing across the globe and has taken home the prestigious Ivor Novello Award.

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Richard Thompson’s highly prolific career has seen him release a vast and superb back catalogue which started with his 1972 debut Henry The Human Fly.
His latest record is his sixteenth studio album titled Still was produced by Jeff Tweedy of Wilco and came out in 2015 to the utter delight of the music press. It smashed into No. 10 in the UK Album charts.
“A brilliant, nigh-on faultless work from an acknowledged master.” - The Independent

“Thompson's new album arrives as another example of how a mature artist can continue to innovate.” - Chicago Tribune

“Jeff Tweedy's minimal production lets Richard Thompson's strengths shine on the intimate, thoughtful, complex, and rewarding Still.
” - Pitchfork

“Tightly wound-easy going but uptight; the work of a man still striving for a modest kind of perfection. And--not for the first time--with Still he has almost achieved it.” - Uncut

In 2017, Ivor Novello Award-winning and GRAMMY®Award-nominated legend Richard Thompson gave himself up to the music itself. Picking up a guitar, emotions echoed through his deft fleet-fingered fretwork, poetic song writing, impassioned picking. Those transmissions comprise his nineteenth solo album and return to New West Records, 13 Rivers.
“I never really think about what songs mean,” he admits. “I just write them. Some of them reflect on what happened a few months ago or even a year ago. It’s a process of surveying my life and where I was at.” In 2017, Thompson began composing ideas for what would become 13 Rivers at his California home. Off the road, he focused on writing. As a result of the defined time period, the music possessed a distinct cohesion. “I wrote the songs as a group to hang together,” he elaborates. “They belong together in some way and seem to possess a commonality since they were written in the same time and space.”

To capture this vision, he retreated to the famed Boulevard Recording Studio in Los Angeles. Known previously as “The Producers Workshop” and once owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and Joan Baez. It also hosted the mixing sessions for Pink Floyd’s The Wall.
Notably, this marked the first time Thompson self-produced in over a decade and he opted to track analog in just ten days. Engineered by Clay Blair (The War on Drugs), usual suspects Michael Jerome [drums, percussion], Taras Prodaniuk [bass], and Bobby Eichorn [guitar] joined him.

“It’s a funky studio that was quite popular in the sixties and seventies,” he says. “It used to be Hollywood trendy, but it fell into total disrepair. It’s still got some gaps in the walls. I like studios that are honest. It’s about the décor of the sound, and there’s a specific sound to Boulevard. Clay is a Beatles nut, so I could grab a Gretsch off the wall or dial into an amp that had this unbelievable tone reminiscent of The Beatles. They also say Liberace’s ghost still haunts the place, but I hadn’t seen him myself,” laughs Thompson.
13 Rivers commences on the tribal percussion and guitar rustle of “The Storm Won’t Come” as the artist bellows ,“I’m looking for a storm to blow through town.” The energy mounts before climaxing on a lyrical electric lead rife with airy bends and succinct shredding.

“Obviously it’s been a stressful couple of years,” he sighs. “The song references wanting to change your life - but it’s a difficult undertaking. You have to wait for it to happen naturally. You can’t force it.”
Elsewhere, “Her Love Was Meant For Me” spirals into an emotionally charged display of fret fireworks punctuated by his deep wail. “Tears” shakes and shuffles from haunting verses towards a hypnotic refrain “about a friend’s hard and interesting life.” Meanwhile, the dreamy “Shaking The Gates” unfolds like a hymnal as he croons,“I’m shaking the gates of heaven.”

“There are 13 songs on the record, and each one is like a river,” he explains. “Some flow faster than others. Some follow a slow and winding current. They all culminate on this one body of work.”

In many ways, his career has pointed towards such a statement. Powered by evocative songcraft, jaw-dropping guitar playing, and indefinable spirit, this venerable icon holds a coveted spot on Rolling Stone ’s “100 Greatest Guitarists of All Time” and counts a Lifetime Achievement Award from the Americana Music Association in Nashville, and a Lifetime Achievement Award from the BBC Awards among his many accolades. 2011 saw Thompson garner an OBE (Order of the British Empire) personally bestowed upon him by Queen Elizabeth II at Buckingham Palace. Moreover, Time touted his anthem, “1952 Vincent Black Lightning,” on its “100 Greatest Songs Since 1923” list.

Thompson’s influence can’t be overstated. Everybody from Robert Plant, Don Henley, and Elvis Costello to REM, Sleater-Kinney and David Byrne has covered his music. Wilco’s Jeff Tweedy jumped at the chance to produce 2015’s Still - which earned plaudits from Pitchfork, The Guardian, Rolling Stone , and more. Meanwhile, Werner Herzog tapped him for the soundtrack to Grizzly Man. He launched his career by co-founding trailblazing rock outfit Fairport Convention responsible for igniting a British Folk Rock movement.

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